Product overview
Enjoy the home theater experience in a way you never thought possible. With a 75,000:1 contrast ratio, the highest currently available in its class, the Epson PowerLite Pro Cinema 7500 UB puts you right in the middle of where the action is, as larger-than-life images leap right off the screen. Whether you’re watching movies or sports, or playing video games, this 1080p projector ensures amazing image quality with the latest-generation Epson D7 panels, UltraBlack^TM technology and 1600 lumens of color and white light output.* With innovative color adjustment features and a state-of-the-art Fujinon lens, the kind typically used by renowned Hollywood filmmakers, this product delivers blockbuster video performance. And, with Epson’s 3LCD, 3-chip optical engine, it offers such incredible quality, you’re sure to achieve a true cinematic experience. Setup is easy with the color isolation feature and ISF calibration, which allows you to adjust colors according to that which the filmmaker intended. The PowerLite Pro Cinema 7500 UB brings big-screen entertainment home in a whole new way.

Features/Benefits

• Deep, dark blacks, crystal clear detail — latest-generation D7 3-chip optical engine with 3LCD C2Fine® technology
• Rich, vibrant color — UltraBlack technology with an unprecedented 75,000:1 contrast ratio
• Bright, vivid images — 1600 lumens of color and 1600 lumens of white light output*
• Smooth gradations — 12-bit panel driver ensures a smooth, natural image
• Superior video quality — Silicon Optix HQV Reon-VX processor minimizes noise and jaggies and generates a more natural-looking image
• Brilliant, widescreen performance — new anamorphic (vertical stretch) widescreen mode facilitates real 2.35:1 movie playback with no black bars
• Smooth video transitions — 120 Hz FineFrame^TM technology ensures sharper, smoother images
• Easy color setup — new color isolation feature offers more precise color adjustments
• Remarkable color reproduction — new preset color space selection facilitates original color reproduction
• Convenient color calibration — ISF certified; customize settings for any environment
• Astounding, true-to-life color — Epson’s exclusive cinema filter expands the color gamut to reproduce colors as precisely as filmmakers intended
• Ideal for fast-action movies, TV shows — advanced auto iris function automatically adjusts light output up to 60 times per second
• Easy maintenance — convenient dust filtration system with large surface area for greater efficiency
• Energy and cost efficient — 200 W E-TORL® lamp lasts up to 4000 hours**
• Astounding service and support — 3-year limited warranty
• Ready when you are — ceiling mount, spare lamp and cable cover included

Technology overview
3LCD technology — for quality and color that’s beyond amazing
3LCD technology delivers amazing color and detail. Whether it’s big-screen entertainment or a classroom demonstration, 3LCD technology takes video performance to the next level. Delivering legendary image quality, this innovative technology always ensures powerful visual presentations.

• Color — 3LCD technology goes far beyond ordinary color. “Clear”, “rich” and “vibrant” barely begin to describe the incredible depth and brilliance it delivers. The impact is stunning. It’s an astonishing level of realism you never thought possible.
• Reliability — 3LCD technology is durable and dependable. Road-tested by millions of projector users around the world, it has been used in more projection products than any other. Over 40 million chips used in projectors and RPTV products have been put to the test in home theaters, classrooms, sales presentations and on stage.
• Detail — 3LCD technology offers extraordinary detail. And detail is what superior image quality is all about — from movies to your most important presentations. 3LCD light engines deliver incredible, jaw-dropping detail — the kind that puts you right in the middle of where the action is.

Color and white light output*
With Epson projectors, your presentations are sure to shine bright. The Epson PowerLite Pro Cinema 7500 UB delivers 1600 lumens*, whether you’re projecting deep, colorful images or bright, white scenes. You get consistent light output, whatever you’re projecting. And, with Epson, you can be confident you’re getting exactly what you need because Epson measures white light output according to the ISO 21118 standard, a more rigid standard than the maximum or outdated ANSI lumens rating used by competitive products.

OptiCinema™ lens system
The OptiCinema lens system is a precision, high-quality optical grade system. Co-developed with Fujinon, the number two supplier of precision camera optics to the world’s leading HD camera makers, this system offers the following benefits:

• Maximum picture uniformity
• Clarity across the entire screen
• An imperceptible lens flare (less than five percent)
• No chromatic aberrations or fringing
• Precision focus, zoom and horizontal/vertical lens shift

Deep, dark blacks
Achieve the deepest blacks possible with an incredible 75,000:1 contrast ratio, UltraBlack technology and Epson’s exclusive Vertical Alignment (VA) LCD technology. With VA LCD technology, opaque (black) is the natural state. Signal voltage is applied to increase translucence (transmittance) as needed. This is a fundamental design and performance advantage — a complete re-thinking of LCD panel design. Conventional LCDs use Twisted Nematic panels, which are translucent in their natural state. Signal voltage is applied to reduce light throughput, but the inability to achieve correct Liquid Crystal alignment means that true black is impossible to achieve, as there will always be some leakage. VA technology is fundamentally correct, and is the only way to achieve true, deep blacks since the molecules align uniformly with no stray light leakage.

Silicon Optix HQV Reon-VX processor
The HQV Silicon Optix processor is the reference standard in deinterlacing and scaling. Its Floating Point Gate Array technology realizes an incredible one trillion processing operations per second. In fact, this system provides a host of processing, deinterlacing and scaling benefits. And, it delivers true four-field pixel-by-pixel processing, even with 1080i/60 Hz HD program material. With standard definition (SD) and high definition (HD) interlaced content (DVDs, TV shows, 1080i HDTV broadcasts), the Reon VX eliminates jagged edges on low-angle solid lines and flat edges. MPEG compression-related artifacts, such as mosquito noise, are banished due to the Reon’s processing prowess. MPEG compression works via 8x8 pixel blocks — Reon VX block-noise reduction eliminates block noise artifacts, restoring a natural picture. For poor contrast image sources, such as SD broadcast, cable and video tape, Reon VX provides three user-selectable levels of contrast enhancement.

FineFrame interpolation processing technology
Film is encoded on DVD and Blu-ray at 24 frames-per-second. FineFrame de-constructs and re-constructs these sources for a 1080p frame rate output of up to 120 Hz, eliminating visible flicker and frame-to-frame judder. The 4:4 pulldown function also makes corrections for improperly-encoded sources, and features a reverse 2:3 pulldown detection-and-correction function.

Anamorphic Widescreen Mode
The aspect ratio for traditional TV is 1.33:1 (4:3), while it is 1.78:1 (16:9) for HDTV and 2.35:1 or 2.40:1 for many Blu-ray movies. When content is played back on an HDTV 1.78:1 (16:9) screen, the viewer sees black bars above and below the picture image. Anamorphic Widescreen (vertical stretch) Mode fills the 16:9 imaging area, pushing black bars out of the viewing area. When used with an anamorphic lens assembly in this mode, the full, original theatrical aspect ratio is restored (i.e., the entire screen is filled with the image). And, all imaging pixels are used, resulting in a brighter picture.

Color isolation
In order to adjust color (saturation) and tint (hue) using SMPTE color bars, users typically need a blue gel filter, supplied with some, but not all, test discs. However, with this innovative feature, adjustments can be made without using any filters since color isolation provides blue-only and red-only modes.

Color space selection
With color space selection, users can select from three different color gamuts, according to the program material and location:

• SMPTE-C (Rec. 601) for SD (U.S.A./Canada, other NTSC markets)
• EBU (PAL) for Europe
• HD (Rec. 709) for HDTV (all regions)

White point is correct, D65 (6,504˚ Kelvin), for all three.
This feature allows colors to be reproduced using the same standard that was applied when the film was originally made, so the result is just as the filmmaker intended.

Imaging Science Foundation (ISF) certification
Certified by the ISF, the Epson PowerLite Pro Cinema 7500 UB has been built to the strictest video standards. Calibration tools include multiple picture memories, and lockout to prevent accidental post-calibration user misadjustments. ISF Day and Night modes are available.

Energy-efficient E-TORL lamp
The innovative E-TORL lamp, exclusively from Epson, is a reliable performer that delivers more lumens per watt and lasts up to 4000 hours.** Switch the projector to High Brightness Mode and the E-TORL lamp still produces up to 4000 hours of light performance. The special E-TORL design minimizes both light defraction and light leakage, providing you the ultimate in lamp longevity — up to 50 percent more lamp life than with competitive products. And, E-TORL replacement lamps cost up to $150 less than competing replacement lamps. So, while the E-TORL lamp maximizes your presentation time, it also minimizes your costs.

• Product Overview (pdf)
• See Brochure (pdf)

* Light output varies depending on modes (color and white light output).
** Lamp life results will vary depending upon mode selected, environmental conditions and usage. Lamp brightness decreases over time.